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Some Poems by Mary Oliver

Egrets

Where the path closed
down and over,
through the scumbled leaves,
fallen branches,
through the knotted catbrier,
I kept going. Finally
I could not
save my arms
from thorns; soon
the mosquitoes
smelled me, hot
and wounded, and came
wheeling and whining.
And that's how I came
to the edge of the pond:
black and empty
except for a spindle
of bleached reeds
at the far shore
which, as I looked,
wrinkled suddenly
into three egrets - - -
a shower
of white fire!
Even half-asleep they had
such faith in the world
that had made them - - -
tilting through the water,
unruffled, sure,
by the laws
of their faith not logic,
they opened their wings
softly and stepped
over every dark thing.

Snowy Egret

A late summer night and the snowy egret
has come again to the shallows in front of my house

as he has for forty years.
Don’t think he is a casual part of my life,

that white stroke in the dark.

The Egret

Every time
but one
the little fish
and the green
and spotted frogs
know
the egret’s bamboo legs
from the thin
and polished reeds
at the edge
of the silky world
of water.
Then,
in their last inch of time,
they see,
for an instant,
the white froth
of her shoulders,
and the white scrolls
of her belly,
and the white flame
of her head.
What more can you say
about such wild swimmers?
They were here,
they were silent,
they are gone, having tasted
sheer terror.
Therefore I have invented words
with which to stand back
on the weedy shore—
with which to say:
Look! Look!
What is this dark death
that opens
like a white door?

Heron Rises From The Dark, Summer Pond

So heavy
is the long-necked, long-bodied heron,
always it is a surprise
when her smoke-colored wings

open
and she turns
from the thick water,
from the black sticks

of the summer pond,
and slowly
rises into the air
and is gone.

Then, not for the first or the last time,
I take the deep breath
of happiness, and I think
how unlikely it is

that death is a hole in the ground,
how improbable
that ascension is not possible,
though everything seems so inert, so nailed

back into itself--
the muskrat and his lumpy lodge,
the turtle,
the fallen gate.

And especially it is wonderful
that the summers are long
and the ponds so dark and so many,
and therefore it isn't a miracle

but the common thing,
this decision,
this trailing of the long legs in the water,
this opening up of the heavy body

into a new life: see how the sudden
gray-blue sheets of her wings
strive toward the wind; see how the clasp of nothing
takes her in.

Mysteries, Four of the Simple Ones

How does the seed-grain feel
when it is just beginning to be wheat?

And how does the catbird feel
when the blue eggs break and become little catbirds?

Maybe on midsummer night’s eve,
and without fanfare?

And how does the turtle feel as she covers her eggs
with the sweep of her feet,
then leaves them for the world to take care of?

Does she know her accomplishment?

And when the blue heron, breaking his long breast feathers,
sees one feather fall, does he know I will find it?
Will he see me holding it in my hand?

as he opens his wings
softly and without a sound—
as he rises and floats over the water?

And this is just any day at the edge of the pond,
a black and leafy pond without a name
until I named it.

And what else can we do when the mysteries present themselves
but hope to pluck from the basket the brisk words
that will applaud them,

the heron, the turtle, the catbird, the seed-grain
kneeling in the dark earth, its body
opening into the golden world?

The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

Night Herons

Some herons
were fishing
in the robes
of the night

and a low hour
of the water’s body
and the fish, I suppose
were full

of fish happiness
in those transparent inches
even as, over and over,
the beaks jacked down

and the narrow
bodies were lifted
with every
quick sally,

and that was the end of them
as far as we know
though, what do we know
except that death

is so everywhere and so entire—
pummeling and felling
or sometimes,
like this, appearing

through such a thin door—
one stab, and you’re through!
And what then?
Why, then it was almost morning,

and one by one
the birds
opened their wings
and flew.

Reckless Poem

Today again I am hardly myself.
It happens over and over.
It is heaven-sent.

It flows through me
like the blue wave.
Green leaves – you may believe this or not –
have once or twice
emerged from the tips of my fingers

somewhere
deep in the woods,
in the reckless seizure of spring.

Though, of course, I also know that other song,
the sweet passion of one-ness.

Just yesterday I watched an ant crossing a path, through the
tumbled pine needles she toiled.
And I thought: she will never live another life but this one.
And I thought: if she lives her life with all her strength
is she not wonderful and wise?
And I continued this up the miraculous pyramid of everything
until I came to myself.

And still, even in these northern woods, on these hills of sand,
I have flown from the other window of myself
to become white heron, blue whale,
red fox, hedgehog.

Oh, sometimes already my body has felt like the body of a flower!
Sometimes already my heart is a red parrot, perched
among strange, dark trees, flapping and screaming.

Many Miles

The feet of the heron,
under those bamboo stems,
hold the blue body,
the great beak

above the shallows
of the pond.
Who could guess
their patience?

Sometimes the toes
shake, like worms.
What fish
could resist?

Or think of the cricket,
his green hooks
climbing the blade of grass—
or think of camel feet

like ear muffs,
striding over the sand—
or think of your own
slapping along the highway,

a long life,
many miles.
To each of us comes
the body gift.

Lead

Here is a story
to break your heart.
Are you willing?
This winter
the loons came to our harbor
and died, one by one,
of nothing we could see.
A friend told me
of one on the shore
that lifted its head and opened
the elegant beak and cried out
in the long, sweet savoring of its life
which, if you have heard it,
you know is a sacred thing,
and for which, if you have not heard it,
you had better hurry to where
they still sing.
And, believe me, tell no one
just where that is.
The next morning
this loon, speckled
and iridescent and with a plan
to fly home
to some hidden lake,
was dead on the shore.
I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world.